Franz Schubert, Johann Kaspar Mertz, Gerald Garcia's 'Schwanengesang, D. 957: No. 10. Das Fischermadchen (arr. J. K. Mertz)' came out on July 10, 1992. The duration of Schwanengesang, D. 957: No. 10. Das Fischermadchen (arr. J. K. Mertz) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Schwanengesang, D. 957: No. 10. Das Fischermadchen (arr. J. K. Mertz)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Romantic Guitar Favourites". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Schwanengesang, D. 957: No. 10. Das Fischermadchen (arr. J. K. Mertz) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Schwanengesang, D. 957: No. 10. Das Fischermadchen (arr. J. K. Mertz) by Franz Schubert, Johann Kaspar Mertz, Gerald Garcia having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata, Op. 21, No. 3: III. Rondeau: Allegretto con poco moto | Ferdinando Carulli, Richard Savino | D Major | 1 | 10B | 170 BPM | ||
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
Sonate, Op. 61: I. allegro | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 73 BPM | ||
Les Soirées d’Auteuil, Op. 23: Serenade (Arr. for 12 String Guitar) | Napoleón Coste, Anders Miolin | A Major | 1 | 11B | 113 BPM | ||
Cataluña | Isaac Albéniz, David Russell | E Minor | 0 | 9A | 80 BPM | ||
Schnee in Istanbul & Schneeschmelze, Op. 51a: Schnee in Istanbul | Carlo Domeniconi, Celil Refik Kaya | E Major | 1 | 12B | 134 BPM | ||
The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
Carmen Suite: III. Seguidilla (Arr. W. Kanengiser) | Los Angeles Guitar Quartet | G Major | 1 | 9B | 101 BPM |
Section: 0.7742516994476318
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