"Symphony No. 5 in C-Sharp Minor / Pt. 1: 2. Stürmisch bewegt, mit größter Vehemenz" by Gustav Mahler, Chicago Symphony Orchestra, Sir Georg Solti was released on December 1, 1970. Symphony No. 5 in C-Sharp Minor / Pt. 1: 2. Stürmisch bewegt, mit größter Vehemenz appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Sir Georg Solti, Yvonne Minton, Chicago Symphony Orchestra's "Mahler: Symphony No. 5; 4 Songs from "Des Knaben Wunderhorn"" album is number 2 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Symphony No. 5 in C-Sharp Minor / Pt. 1: 2. Stürmisch bewegt, mit größter Vehemenz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in C-Sharp Minor / Pt. 1: 2. Stürmisch bewegt, mit größter Vehemenz by Gustav Mahler, Chicago Symphony Orchestra, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 2 in C Minor "Resurrection": II. Andante moderato | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM |
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