"The Trojan Women: Hecuba's Lament , Fanfare And Epilogue - Produced" by Karel Husa, Brno State Orchestra was released on 1998. Since The Trojan Women: Hecuba's Lament , Fanfare And Epilogue - Produced is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 12 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Trojan Women: Hecuba's Lament , Fanfare And Epilogue - Produced's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Trojan Women: Hecuba's Lament , Fanfare And Epilogue - Produced by Karel Husa, Brno State Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Awayday | Adam Gorb, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 2 | 8A | 130 BPM | ||
V Unbreakable Unforgettable Unstoppable | Richard Thomas Brasseale, richard brasseale, Eleni Katz, Llewellyn Sánchez-Werner | F Major | 4 | 7B | 130 BPM | ||
Concerto in 1 movement (arr. A. Ostrander) | Alexey Konstantinovich Lebedev, Allen Ostrander, David Zerkel, Paolo Andre Gualdi | A Major | 0 | 11B | 68 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): V. Dance of the Tumblers | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
On Dangerous Ground | Bernhard Herrmann, Vienna Horns | F Major | 4 | 7B | 144 BPM | ||
Serenade No. 11, Op. 85: III. Nocturne | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 0 | 6B | 74 BPM | ||
Divertimento, Op. 42: VI. March | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 4 | 10B | 150 BPM | ||
Profile 2 | Maya Badian, Sylvain Jacobs | D Major | 0 | 10B | 81 BPM | ||
Obliviana | Patrick O'Malley, BBC Scottish Symphony Orchestra, Andrew Constantine | A Major | 4 | 11B | 119 BPM |
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