"5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. Reger for Piano)" by Johannes Brahms, Rudolf Buchbinder was released on March 22, 2024. With 5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. Reger for Piano) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 28 out of 28 in Brahms – Reger: Song Transcriptions by Johannes Brahms, Rudolf Buchbinder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. Reger for Piano)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. Reger for Piano) by Johannes Brahms, Rudolf Buchbinder is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En Boheme, Op. 82: Bluette - Duo-Art 6178 | Constantin von Sternberg, Peter Phillips | E Major | 0 | 12B | 74 BPM | ||
Blumenleben, Op. 19: No. 4, Vergißmeinnicht | Dora Pejačević, Natasa Veljkovic | A♭ Major | 0 | 4B | 72 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 4, Allegro molto | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Piano Sonata in D Major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Piano Sonata in G Minor, Op. 50, No. 3, "Didone abbandonata": I. Largo patetico e sostenuto | Muzio Clementi, Giacomo Scinardo | G Minor | 1 | 6A | 98 BPM | ||
Nocturne in G Minor, Op. 15 No. 3 | Frédéric Chopin, Nicolas Horvath | D Minor | 0 | 7A | 98 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
Serenade in A Minor | Imre Széchényi, György Lázár, Istvan Kassai | F Minor | 1 | 4A | 112 BPM | ||
Le piccadilly | Erik Satie, Niu Niu | E♭ Major | 0 | 5B | 140 BPM |
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