"6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6" by Pyotr Ilyich Tchaikovsky, Juan Francisco Otón was released on April 9, 2024. 6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Irene Cantos, Pyotr Ilyich Tchaikovsky, Sergei Prokofiev, Johann Sebastian Bach's "Hymn to the Sun. Piano Works by Bach & Tchaikovsky" album is number 15 out of 23. On top of that, Switzerland appears to be the country where this track was created. 6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 by Pyotr Ilyich Tchaikovsky, Juan Francisco Otón to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 2 | 10B | 109 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | B Minor | 1 | 10A | 106 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM |
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