Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov's 'Scènes de ballet, Op. 52: VIII. Polonaise' came out on March 31, 1998. Scènes de ballet, Op. 52: VIII. Polonaise is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Alexander Glazunov, Alexander Anissimov, Moscow Philharmonic Orchestra's "Glazunov, A.K.: Orchestral Works, Vol. 8 - The Seasons / Scenes De Ballet / Scene Dansante" album is number 8 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Scènes de ballet, Op. 52: VIII. Polonaise's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scènes de ballet, Op. 52: VIII. Polonaise by Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Suite on the Name Sacha, Op. 2: V. Valse: Allegro | Alexander Glazunov, Tatjana Franova | G Major | 2 | 9B | 95 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Act III: Variation 3 (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 118 BPM |
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