On 1967, the song "The Lady Came From Baltimore" was released by Scott Walker. With The Lady Came From Baltimore being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Scott". In this album, this song's track order is #4. Based on our statistics, The Lady Came From Baltimore's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Lady Came From Baltimore by Scott Walker having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thanks For Chicago Mr. James | Scott Walker | G Major | 5 | 9B | 180 BPM | ||
Your Friend and Mine - Neil's Song | Love | A Major | 6 | 11B | 105 BPM | ||
Tiny Goddess | Nirvana | F Major | 3 | 7B | 75 BPM | ||
When Joanna Loved Me | Scott Walker | A♭ Major | 2 | 4B | 135 BPM | ||
I Shall Be Released | The Flying Burrito Brothers | F♯ Major | 2 | 2B | 134 BPM | ||
Never Too Far | Tim Hardin | A Minor | 2 | 8A | 108 BPM | ||
I Hear You Calling | Bill Fay | A♭ Major | 3 | 4B | 123 BPM | ||
Andalucia | John Cale | F Major | 2 | 7B | 98 BPM | ||
Splendor In The Grass | Jackie DeShannon | B♭ Major | 4 | 6B | 112 BPM | ||
Big White Cloud | John Cale | E Major | 7 | 12B | 70 BPM |
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