"Festa das igrejas: IV. Nossa Senhora do Brasil - Aparecida" by Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling had its release date on December 1, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling's "Mignone: Festa Das Igrejas / Sinfonia Tropical / Maracatu De Chico Rei" album is number 4 out of 14. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Festa das igrejas: IV. Nossa Senhora do Brasil - Aparecida's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Festa das igrejas: IV. Nossa Senhora do Brasil - Aparecida by Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Swans: Valse Mélancolique No. 1 in C Minor | Danaë Xanthe Vlasse | C Minor | 1 | 5A | 114 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Lenda Sertaneja - Legend From the Backlands | Francisco Mignone, Fabio Zanon | E Major | 0 | 12B | 76 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Valsa Da Dor | Heitor Villa-Lobos, Khatia Buniatishvili | E Minor | 0 | 9A | 76 BPM | ||
Études, Op. 25: No. 1 in A Flat Major | Frédéric Chopin, Daniel Barenboim | A♭ Major | 0 | 4B | 73 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM |