"In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu" by Frank Martin, Marga Höffgen, Orchestre de la Suisse Romande, Ernest Ansermet was released on July 6, 2018. Since In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Frank Martin, Ernest Ansermet, Orchestre de la Suisse Romande's "Martin: Orchestral Works" album is number 22 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu by Frank Martin, Marga Höffgen, Orchestre de la Suisse Romande, Ernest Ansermet to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
If Ye Love Me | Thomas Tallis, Robert Shaw, Robert Shaw Festival Singers | E♭ Major | 0 | 5B | 132 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 1, Rede, Mädchen, allzu liebes | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 3 | 8B | 129 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
Mass in G Minor: I. Kyrie | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | D Minor | 0 | 7A | 88 BPM | ||
Pjotr Tsaikovski: Legend (op. 54/5) | Lumen Valo | E Minor | 0 | 9A | 81 BPM | ||
Panteley the Healer for mixed Chorus | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Ein Totentanz zu Basel im Jahre 1943: Death and the beautiful Lady | Frank Martin, Edith Habraken, Christine von Arx, Eduard Grass-Haas, Geoffrey Douglas Madge, Hineni String Orchestra, Bastiaan Blomhert | C Major | 1 | 8B | 112 BPM |
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