- BPM
- 79
- Key
- E♭ Major
- Camelot
- 5B
Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene - Carl Loewe, Georg Poplutz, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper Information
- Acousticness
- 85%
- Danceability
- 20%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -21.756 dB
Summary
"Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene" by Carl Loewe, Georg Poplutz, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. The duration of Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 2 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene BPM
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene by Carl Loewe, Georg Poplutz, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Das Sühnopfer des neuen Bundes, Pt. 3: No. 29, Hört den Simon von Kyrene Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die Nacht | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | |
 | Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 3, Nun schwanden vor dem heiligen Strahle | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, MDR Leipzig Radio Choir, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM | |
 | Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | |
 | Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | |
 | Ein deutsches Requiem, Op. 45: Herr, lehre doch mich - Arr. for Voices and 2 Pianos | Johannes Brahms, Konrad Jarnot, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | |
 | Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Missa Brevis In C Major Kv 259, Orgelsolo Messe: Credo | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 3 | 8B | 100 BPM | |
 | Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | |
 | Hebraische Gesange, Op. 4: No. 3. War ich wirklich so falsch | Carl Loewe, Roman Trekel, Cord Garben | F Major | 3 | 7B | 128 BPM | |
| Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM |
- ISRC
- DEU921909629
- Label
- L-M Records/RCA Records
Section: 0.6188952922821045
End: 0.622427225112915