"5 Orchestral Pieces, Op. 16: I. (Premonitions)" by Arnold Schoenberg, London Symphony Orchestra, Robert Craft was released on November 21, 2006. The duration of 5 Orchestral Pieces, Op. 16: I. (Premonitions) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 5 Orchestral Pieces, Op. 16: I. (Premonitions)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Schoenberg, A.: 5 Orchestral Pieces / Brahms, J.: Piano Quartet No. 1 (Orch. Schoenberg)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 5 Orchestral Pieces, Op. 16: I. (Premonitions) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Orchestral Pieces, Op. 16: I. (Premonitions) by Arnold Schoenberg, London Symphony Orchestra, Robert Craft having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet No. 1 in G Minor, Op. 25 (arr. A. Schoenberg): III. Andante con moto | Arnold Schoenberg, Johannes Brahms, Csilla Szabó, Peter Komlos, Géza Németh, Karoly Botvay | E♭ Major | 1 | 5B | 112 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Gurrelieder, Pt. 2: No. 12, Herrgott, weisst du, was du tatest (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | A Minor | 3 | 8A | 88 BPM | ||
Schoenberg: Gurre-Lieder, Pt. 3: "Erwacht, König Waldemars Mannen wert!" (Waldemar) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | E♭ Major | 2 | 5B | 89 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Introduction - Lent - Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B Minor | 0 | 10A | 92 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | G Major | 1 | 9B | 176 BPM |
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