"Rush Orchestra Suite - Live" by Hans Zimmer, Marie Spaemann, Amir-John Haddad, Snow Owl, Vienna Radio Symphony Orchestra, Martin Gellner was released on March 15, 2019. Rush Orchestra Suite - Live is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 22 in the song's album "The World of Hans Zimmer - A Symphonic Celebration (Live)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Rush Orchestra Suite - Live is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rush Orchestra Suite - Live by Hans Zimmer, Marie Spaemann, Amir-John Haddad, Snow Owl, Vienna Radio Symphony Orchestra, Martin Gellner having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roll Tide - From "Crimson Tide" Soundtrack | John Bacchus Dykes, Hans Zimmer | D Minor | 2 | 7A | 82 BPM | ||
Iberia Images for Orchestra, No. 2: Par les rues et par les chemins | Claude Debussy, Milan Horvat, Vienna Radio Symphony Orchestra | F Minor | 1 | 4A | 133 BPM | ||
Top of the World | Trevor Jones | D Minor | 2 | 7A | 85 BPM | ||
I due Foscari / Act 3: Scena: "Che venga a me, se lice" "Quel bronzo infernale" | Giuseppe Verdi, Piero Cappuccilli, Samuel Ramey, Vincenzo Bello, Lamberto Gardelli, Katia Ricciarelli, ORF Chorus, Vienna Radio Symphony Orchestra | B♭ Major | 3 | 6B | 89 BPM | ||
It's Hard To Kill A McClane | Marco Beltrami, Marcus Trumpp, Brandon Roberts, Pete Anthony | C Major | 2 | 8B | 110 BPM | ||
Frankenstein's Monster | Henry Jackman | A♭ Major | 3 | 4B | 68 BPM | ||
That's A Nice Day | Nick Glennie-Smith | F Minor | 2 | 4A | 87 BPM | ||
Mythical Hero | Veigar Margeirsson | C Minor | 3 | 5A | 81 BPM | ||
Atlas | Will Bates | B♭ Minor | 5 | 3A | 132 BPM | ||
Flight to the Ford | Howard Shore | C Major | 1 | 8B | 109 BPM |
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