"Skoryk: Melody in A Minor (From "Vysokyy pereval")" by Myroslav Skoryk, Lisa Strauss, Anastasia Rizikov was released on May 3, 2024. The duration of Skoryk: Melody in A Minor (From "Vysokyy pereval") is about 3 minutes long, at 3:27. Based on our data, "Skoryk: Melody in A Minor (From "Vysokyy pereval")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Duo Shum - Skoryk: Melody in A Minor and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Skoryk: Melody in A Minor (From "Vysokyy pereval") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Skoryk: Melody in A Minor (From "Vysokyy pereval") by Myroslav Skoryk, Lisa Strauss, Anastasia Rizikov is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson Triste for Double Bass and Piano, Op. 2 | Serge Koussevitzky, Robert Oppelt | C Major | 1 | 8B | 86 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "Tempest": II. Adagio | Ludwig van Beethoven, Anastasia Rizikov | F♯ Minor | 2 | 11A | 99 BPM | ||
ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
Étude 13 (Estudios Efímeros) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
ニュー・シネマ・パラダイス | Ennio Morricone, 林はるか, Soyoka Hayashi | B♭ Major | 1 | 6B | 69 BPM | ||
November den femtonde dagen | Bellman Concerto Ensemble, Tomas Blank In Harmony | G Major | 0 | 9B | 138 BPM | ||
Concert Phantasy on 'Le coq d'or': The Tsar's Dream | Nikolai Rimsky-Korsakov, Luka Faulisi | A♭ Major | 1 | 4B | 72 BPM | ||
After Bach: Cavatina | Brad Mehldau | F♯ Major | 0 | 2B | 71 BPM | ||
Synchronized | Marziallo | D Minor | 1 | 7A | 90 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM |
Section: 0.816368818283081
End: 0.8204061985015869