"On Redding Road" by Pan-American, Kramer was released on March 22, 2024. The duration of On Redding Road is about 3 minutes long, at 3:11. Based on our data, "On Redding Road" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Reverberations of Non-Stop Traffic on Redding Road". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. On Redding Road is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With On Redding Road by Pan-American, Kramer having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sounding Bodies | Wrecked Lightship | C Major | 5 | 8B | 88 BPM | ||
Tooth, Wallflower and Salt | LI YILEI | B♭ Minor | 3 | 3A | 89 BPM | ||
Howl | Daisy Rickman | C Major | 4 | 8B | 134 BPM | ||
All Is Lost | Ben Lukas Boysen | E Major | 0 | 12B | 143 BPM | ||
Elegy For All We Lost | Ben Chatwin | D Major | 2 | 10B | 88 BPM | ||
Whir Intermodal | Billow Observatory | B♭ Major | 2 | 6B | 73 BPM | ||
A Temple On Highway | Chihei Hatakeyama | B♭ Major | 2 | 6B | 107 BPM | ||
Remaining Light | EUS, How to Disappear Completely | G Minor | 3 | 6A | 95 BPM | ||
Deep Call | Coral Morphologic, Nick León | C Major | 1 | 8B | 125 BPM | ||
Mirror 7 | Michael A. Muller, Jefre Cantu-Ledesma | B♭ Minor | 3 | 3A | 73 BPM |
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