"Harp Concerto in A Major: I. Allegro" by Giovanni Paisiello, European Union Chamber Orchestra, Dimitri Demetriades, Jasna Corrado Merlak was released on February 1, 2000. Since Harp Concerto in A Major: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Concerto in Europe: Paisiello, Grétry, Stamitz & Garth". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Harp Concerto in A Major: I. Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Harp Concerto in A Major: I. Allegro by Giovanni Paisiello, European Union Chamber Orchestra, Dimitri Demetriades, Jasna Corrado Merlak having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Oboe Concerto in E-Flat Major | Vincenzo Bellini, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 118 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Beethoven: Violin Concerto, Op. 61 in D Major: II. Larghetto | Ludwig van Beethoven, Midori, Daniel Dodds, Lucerne Festival Strings | G Major | 0 | 9B | 92 BPM | ||
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Minor | 2 | 7A | 76 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
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