Emanuel Geibel, Robert Schumann, Erik Werba made "Schumann: Spanisches Liederspiel, Op. 74: No. 7, Geständnis, "Also lieb' ich Euch, Geliebte" (Mit Affekt)" available on April 5, 2013. With Schumann: Spanisches Liederspiel, Op. 74: No. 7, Geständnis, "Also lieb' ich Euch, Geliebte" (Mit Affekt) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #7. In terms of popularity, Schumann: Spanisches Liederspiel, Op. 74: No. 7, Geständnis, "Also lieb' ich Euch, Geliebte" (Mit Affekt) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Schumann: Spanisches Liederspiel, Op. 74: No. 7, Geständnis, "Also lieb' ich Euch, Geliebte" (Mit Affekt) by Emanuel Geibel, Robert Schumann, Erik Werba having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Trauer und Trost, Op. 3: No. 3, Ein Ton | Peter Cornelius, Ties Mellema, Hans Eijsackers | E Minor | 0 | 9A | 84 BPM | ||
10 Pieces from Cinderella, Op. 97: No. 2. Summer Fairy | Sergei Prokofiev, Olli Mustonen | F♯ Minor | 1 | 11A | 116 BPM | ||
Winterreise, D. 911: No. 20, Der Wegweiser | Franz Schubert, Andrè Schuen, Daniel Heide | D♭ Major | 0 | 3B | 77 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Symphony No. 1, Op. 11: II. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Piano Sonata No. 2 in C-Sharp Minor, Op. 60: I. Allegro ma non troppo | Sergei Bortkiewicz, Diana Chubak | D♭ Minor | 2 | 12A | 71 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 27, Rigaudon | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Schumann: Spanisches Liederspiel, Op. 74: No. 2, Intermezzo, "Und schläfst du, mein Mädchen" (Nicht schnell) | Emanuel Geibel, Robert Schumann, Nicolai Gedda | F Major | 3 | 7B | 172 BPM |
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