"The Well-Tempered Clavier, Book I: No. 13 in F-Sharp Major, BWV 858: Fugue" by Johann Sebastian Bach, Sviatoslav Richter was released on October 1, 2004. The duration of The Well-Tempered Clavier, Book I: No. 13 in F-Sharp Major, BWV 858: Fugue is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Well-Tempered Clavier, Book I: No. 13 in F-Sharp Major, BWV 858: Fugue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 48 in Bach: Well-Tempered Clavier Book I by Johann Sebastian Bach, Sviatoslav Richter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, The Well-Tempered Clavier, Book I: No. 13 in F-Sharp Major, BWV 858: Fugue's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Well-Tempered Clavier, Book I: No. 13 in F-Sharp Major, BWV 858: Fugue by Johann Sebastian Bach, Sviatoslav Richter is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Piano Sonata No.19 in C Minor, D. 958: II. Adagio | Franz Schubert, Sviatoslav Richter | B♭ Major | 1 | 6B | 142 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
The Well-Tempered Clavier, Book I: No. 24 in B Minor, BWV 869: Prelude | Johann Sebastian Bach, Sviatoslav Richter | B Minor | 0 | 10A | 103 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |
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