Johann Sebastian Sebastian, Francesco Corti, Emmanuel Laporte, Il Pomo D'oro made "Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. F. Corti): I. Allegro" available on August 7, 2022. Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. F. Corti): I. Allegro is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 7 out of 12 in Bach: Harpsichord Concertos Part III by Johann Sebastian Sebastian, Francesco Corti, Andrea Buccarella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. F. Corti): I. Allegro is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. F. Corti): I. Allegro by Johann Sebastian Sebastian, Francesco Corti, Emmanuel Laporte, Il Pomo D'oro is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de clavecin, Book 3, Ordre XVII in E Minor: II. Les petits moulins à vent (Performed on Piano) | François Couperin, Yu Kosuge | E Minor | 2 | 9A | 137 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 6: II. Allemande | François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 1 | 7B | 69 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Sinfonia 3 - D-Dur, BWV 789 | Julia Tabakova | F Major | 2 | 7B | 106 BPM | ||
Sonata No. 5 in A-flat Major, D. 557: II. Andante | Franz Schubert, Mathieu Gaudet | D Major | 1 | 10B | 87 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM | ||
Sonata da chiesa a tre in B Minor, Op. 3, No. 4: II. Vivace | Arcangelo Corelli, Il Ruggiero, Emanuela Marcante | B Minor | 1 | 10A | 65 BPM | ||
24 Caprices, Op. 1: No. 8 in E-Flat Major, Maestoso - Transcription By Roberto Pasquini | Niccolò Paganini, Roberto Pasquini | A Minor | 1 | 8A | 66 BPM |
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