Johann Sebastian Bach, Glenn Gould made "Prelude and Fughetta in D Minor, BWV 899: II. Fughetta" available on 1957. With Prelude and Fughetta in D Minor, BWV 899: II. Fughetta being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 19 out of 90. On top of that, United States appears to be the country where this track was created. In terms of popularity, Prelude and Fughetta in D Minor, BWV 899: II. Fughetta is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Prelude and Fughetta in D Minor, BWV 899: II. Fughetta by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caresse | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 73 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Prelude and Fughetta in G Major, BWV 902, Prelude in G Major to the Fughetta No. 902, BWV 902a: Prelude in G Major, BWV 902a | Johann Sebastian Bach, Glenn Gould | D Major | 4 | 10B | 126 BPM | ||
Johannes-Passion, BWV 245.1: 7. Aria: Von den Stricken meiner Sünden | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Matteo de Bastiani | D Major | 2 | 10B | 172 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 6 Homeward | Edvard Grieg, Emil Gilels | D Major | 2 | 10B | 121 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Sonata No. 5 in C Major: 3. Allegro assai | Baldassare Galuppi, Arturo Benedetti Michelangeli | G Major | 1 | 9B | 78 BPM | ||
Les Tricoteuses (23e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 169 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM |
Section: 0.6395175457000732
End: 0.6433818340301514