"Salve Regina" by Giovanni Pierluigi da Palestrina, The King's Singers was released on March 4, 2016. Since Salve Regina is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giovanni Pierluigi da Palestrina, The King's Singers's "How Fair Thou Art: Biblical Passions by Giovanni Pierluigi da Palestrina" album is number 16 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Salve Regina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Salve Regina by Giovanni Pierluigi da Palestrina, The King's Singers to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria stabat ad momentum (Concerti, 1587) | Andrea Gabrieli, Gabrieli, Paul McCreesh, Timothy Roberts | F Major | 1 | 7B | 70 BPM | ||
Miserere à quatre voix | Antonio Lotti, Ensemble vocal da Camera, Daniel Meier, Hélène Delage | C Major | 1 | 8B | 100 BPM | ||
Dark November | Speech to Mortals | D Major | 0 | 10B | 133 BPM | ||
O Fire of the Spirit and Defender | Monks Of The Abbey Of Notre Dame, Gregorian Chants | D Minor | 2 | 7A | 111 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Pueri Hebraeorum | Giovanni Pierluigi da Palestrina, Benedictines of Mary, Queen of Apostles | D♭ Major | 1 | 3B | 94 BPM | ||
Pueri concinite | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 87 BPM | ||
Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM |
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