Laurent Mettraux, See Siang Wong's 'Traces gravees dans le Sable: IV. Wang Wei II' came out on February 24, 2015. The duration of Traces gravees dans le Sable: IV. Wang Wei II is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Traces gravees dans le Sable: IV. Wang Wei II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Swiss Piano Project". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Switzerland. Traces gravees dans le Sable: IV. Wang Wei II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traces gravees dans le Sable: IV. Wang Wei II by Laurent Mettraux, See Siang Wong having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in G Major, Kk. 80 | Domenico Scarlatti, Sang Woo Kang | D Major | 1 | 10B | 101 BPM | ||
Fünf Stücke Im Volkston, Op. 102, Mvt. 2 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | F Major | 2 | 7B | 140 BPM | ||
(Ré)inventio: No. 14 in B-Flat Major [After J.S. Bach's BWV 785] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Sonata No. 11 in F Major: II. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | B♭ Major | 4 | 6B | 134 BPM | ||
were now | Alexander rincon | B Major | 2 | 1B | 117 BPM | ||
Sonata in C Minor, Wq. 132: II. Allegro | Carl Philipp Emanuel Bach, Emelie Roos | B Minor | 0 | 10A | 127 BPM | ||
Une séparation | Dimitri Illarionov, Boris Andrianov | D Minor | 0 | 7A | 87 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | ||
London Trio No. 1 in C Major, Hob. IV:1: II. Andante | Joseph Haydn, Atsuko Koga, Riyo Uemura, Georgiy Lomakov | G Major | 1 | 9B | 112 BPM | ||
Romantic Pieces, Op.75, Larghetto | アントニーン・ドヴォルザーク, KIM NAYOUNG | C Minor | 1 | 5A | 110 BPM |
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