Robert de Visée, Jean-Baptiste Lully, Yasunori Imamura's 'Roland, Act V: Ritournelle des Fees (arr. R. Visee)' came out on January 1, 1993. With this song being about 5 minutes long, at 5:29, "Roland, Act V: Ritournelle des Fees (arr. R. Visee)" by Robert de Visée, Jean-Baptiste Lully, Yasunori Imamura is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #30 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. Roland, Act V: Ritournelle des Fees (arr. R. Visee) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Roland, Act V: Ritournelle des Fees (arr. R. Visee) by Robert de Visée, Jean-Baptiste Lully, Yasunori Imamura has a tempo of 58 beats per a minute, the tempo markings of this song would be Lento (slowly). With Roland, Act V: Ritournelle des Fees (arr. R. Visee) being at 58 BPM, the half-time would be 29 BPM with a double-time of 116 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces pour théorbe, Suite in C Minor: IV. Sarabande | Robert de Visée, Xavier Diaz-Latorre | C Major | 0 | 8B | 102 BPM | ||
Suite in G Major: I. Prelude | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 100 BPM | ||
Passacaglia | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 1 | 8A | 88 BPM | ||
Io ti vorria contar, LV 658 (Transcr. for Lutes by Evangelina Mascardi) | Orlande de Lassus, Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer | B Major | 2 | 1B | 136 BPM | ||
Calata ala Spagnola | Joan Ambrosio Dalza, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | B♭ Major | 2 | 6B | 115 BPM | ||
Folies d'Espagne | Jacques Gallot, Catherine Liddell | A♭ Minor | 0 | 1A | 93 BPM | ||
Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau | A♭ Minor | 1 | 1A | 76 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM |
Section: 0.5242805480957031
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