"10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Variation X" by Ludwig van Beethoven, Alfred Brendel was released on October 11, 2021. The duration of 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Variation X is about 3 minutes long, at 3:22. Based on our data, "10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Variation X" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 37 out of 190 in Autumn Classical: Beethoven by Ludwig van Beethoven, Various Artists. Based on our statistics, 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Variation X's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Variation X by Ludwig van Beethoven, Alfred Brendel is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Beethoven: Piano Quartets, WoO 36: No. 3 in C Major: I. Allegro vivace (Live) | Ludwig van Beethoven, Renaud Capuçon, Lyda Chen, Gautier Capuçon, Martha Argerich | D Major | 2 | 10B | 143 BPM | ||
Piano Sonata No 21 in C major, Op. 53: I Allegro con brio (extract) | Ludwig van Beethoven, Mikhail Pletnev | A Major | 0 | 11B | 108 BPM |
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