"Chants d'Auvergne, Vol. 1: No. 5a. N'ai Pas Ieu De Mio (I Have No Sweetheart)" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus was released on November 1, 2004. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. Chants d'Auvergne, Vol. 1: No. 5a. N'ai Pas Ieu De Mio (I Have No Sweetheart) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chants d'Auvergne, Vol. 1: No. 5a. N'ai Pas Ieu De Mio (I Have No Sweetheart) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt, Op. 23, Act IV: No. 18, Solveig's Song | Edvard Grieg, Paavo Järvi, Camilla Tilling, Estonian National Symphony Orchestra | A Minor | 1 | 8A | 169 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Clear and gentle stream, Op.17, No.4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM |
Section: 0.6479098796844482
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