"Canto Ostinato: Sections 92-94" by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova had its release date on December 17, 2020. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Canto Ostinato: Sections 92-94's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in Canto Ostinato by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Canto Ostinato: Sections 92-94's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Canto Ostinato: Sections 92-94 by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Series, No. 2: 31.X.1926 | Thomas de Hartmann, G. I. Gurdjieff, Georges Ivanovich Gurdjieff, Thomas de Hartmann, Charles Ketcham | E♭ Major | 0 | 5B | 75 BPM | ||
Simple Music for Piano, N. 1 (Theme From "King Lear") | Giya Kancheli, Alessandro Stella | E♭ Major | 0 | 5B | 72 BPM | ||
Vater unser (Arr. for Trombone & String Ensemble) | Arvo Pärt, Jörgen Van Rijen, Camerata RCO | C Major | 1 | 8B | 106 BPM | ||
Senelių Sodyba | Donatas Bielkauskas, Titas Petrikis | A Major | 0 | 11B | 125 BPM | ||
Bright Edge Deep: Bright Edge Deep | Sarah Neutkens, Alma Quartet Amsterdam | E♭ Major | 0 | 5B | 155 BPM | ||
The Great Child in the Great Machine I | Ulrike Haage | D Minor | 0 | 7A | 66 BPM | ||
Third Haiku | Francesco Tristano, Chilly Gonzales | D♭ Minor | 0 | 12A | 82 BPM | ||
Suite in D Minor, HWV 437: III. Sarabande - Adapted by Marina Baranova | George Frideric Handel, Marina Baranova | D Minor | 1 | 7A | 70 BPM | ||
59 | Simeon ten Holt, Polo de Haas, Kees Wieringa | E Major | 1 | 12B | 134 BPM | ||
The Boys from The East - Pt. 1 | Andy Pavlov | E♭ Major | 1 | 5B | 103 BPM |