"Trittico botticelliano, P. 151: III. La nascita di Venere" by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling was released on September 1, 2010. With this song being about 5 minutes long, at 5:11, "Trittico botticelliano, P. 151: III. La nascita di Venere" by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trittico botticelliano, P. 151: III. La nascita di Venere's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trittico botticelliano, P. 151: III. La nascita di Venere by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pini di Roma: II. Pini presso una catacomba | Ottorino Respighi, Riccardo Chailly, Orchestra Filarmonica Della Scala, Francesco Tamiati, David Hinitt | E Minor | 1 | 9A | 90 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |
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