Domenico Scarlatti, Philippe Thuriot's 'Sonata in B Minor, Kk. 87 (Arr. for Accordion by Philippe Thuriot)' had a release date set for June 7, 2024. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Scarlatti: Sonatas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Sonata in B Minor, Kk. 87 (Arr. for Accordion by Philippe Thuriot)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata in B Minor, Kk. 87 (Arr. for Accordion by Philippe Thuriot) by Domenico Scarlatti, Philippe Thuriot having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D. 957: No 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller) | Franz Schubert, Martin Zeller, Giorgio Paronuzzi, Víctor Castillo Luna | D Major | 0 | 10B | 109 BPM | ||
I Remember | Shota Ikeda | A♭ Minor | 0 | 1A | 82 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Part VI: Fugenn | Baptiste Trotignon, Didier Squiban, Orchestre national de Bretagne | G Minor | 5 | 6A | 116 BPM | ||
Echoes of Ancient Dreaming | Mark John McEncroe, Van-Anh Nguyen, Thibaud Pavlovic-Hobba | E Minor | 2 | 9A | 117 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 42 | Domenico Scarlatti, Sergio Gallo | B♭ Major | 0 | 6B | 108 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 4 | 11B | 119 BPM | ||
Notturno No. 3: Dreams of Love | Franz Liszt, Duo Arnicans | G Major | 1 | 9B | 92 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Woodwind Quintet: III. Fugue | Thomas Jerde | G Minor | 1 | 6A | 82 BPM |