"Rhapsody on a Theme of Paganini, Op. 43: Var. 17. Allegretto" by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel was released on September 1, 2023. With Rhapsody on a Theme of Paganini, Op. 43: Var. 17. Allegretto being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Rachmaninoff: The Piano Concertos & Paganini Rhapsody". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 17. Allegretto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 17. Allegretto by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie, Op.64, TrV 233: 18. Stille vor dem Sturm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 133 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: IV. Allegrissimo | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 1 | 4B | 96 BPM | ||
Piano Trio No.2, Op.67: 2. Allegro con brio | Dmitri Shostakovich, Olli Mustonen, Joshua Bell, Steven Isserlis | D♭ Major | 2 | 3B | 152 BPM | ||
Sonata for Piano Four Hands, FP 8: II. Rustique | Francis Poulenc, Arthur Gold, Robert Fizdale | C Major | 0 | 8B | 107 BPM | ||
Symphonic Studies, Op. 13: Etude I | Robert Schumann, Maurizio Pollini | D♭ Major | 2 | 3B | 136 BPM | ||
Études: No. 6 | Philip Glass, Yuja Wang | F Minor | 1 | 4A | 66 BPM | ||
Pièces lyriques, Livre 1, Op. 12 No. 1: Arietta | Edvard Grieg, Janina Fialkowska | G Major | 0 | 9B | 78 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Major | 0 | 4B | 84 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: I. Allegro inquieto | Sergei Prokofiev, Matti Raekallio | C Major | 2 | 8B | 168 BPM |
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