Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink) - Henry Purcell, Eric Vloeimans, Holland Baroque Society Information

Acousticness: 0%
Danceability: 48%
Energy: 90%
Instrumentalness: 0%
Liveness: 52%
Loudness: 87%
Speechiness: 14%
Valence: 4%
Popularity: 5%
Loudness: -7.839 dB

Summary

"Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink)" by Henry Purcell, Eric Vloeimans, Holland Baroque Society was released on January 1, 2017. With this song being about 5 minutes long, at 4:54, "Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink)" by Henry Purcell, Eric Vloeimans, Holland Baroque Society is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Carrousel by Holland Baroque Society, Eric Vloeimans. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink) BPM

The tempo marking of Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink) by Henry Purcell, Eric Vloeimans, Holland Baroque Society is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink) Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	4	5A	106 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Les sauvages	Jean-Philippe Rameau, Víkingur Ólafsson	G Minor	3	6A	118 BPM
If ever I more riches did desire, Z. 544	Henry Purcell, Nils Brown, Paul Grindlay, Meredith Hall, Gillian Keith, Aradia Ensemble, Kevin Mallon	E Major	0	12B	68 BPM
The Hebrides, Op. 26 "Fingal's Cave"	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	D Major	1	10B	137 BPM
Sonata in D Minor, K. 32	Domenico Scarlatti, Lucas Debargue	D Minor	0	7A	130 BPM
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro	Arcangelo Corelli, Jordi Savall, Le Concert Des Nations	D♭ Major	3	3B	133 BPM
The Indian Queen, Z. 630 : Act Ii - Solo (Fame) And Chorus: I Come To Sing	The Scholars Baroque Ensemble, John Dryden, Henry Purcell	B Major	2	1B	155 BPM
Abdelazer: Rondeau	Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner	B Minor	1	10A	66 BPM

ISRC: NLA460914220
Label: L-M Records/RCA Records

Section: 0.6023013591766357

End: 0.6074497699737549