Ohio Light Opera's 'Ruddigore: Song: "My boy, you may take it"' came out on December 1, 2009. With Ruddigore: Song: "My boy, you may take it" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Ruddigore". In this album, this song's track order is #12. Based on our statistics, Ruddigore: Song: "My boy, you may take it"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ruddigore: Song: "My boy, you may take it" by Ohio Light Opera having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Traditional / Arr. Moore: Blow the Wind Southerly (Live) | Traditional, Gerald Moore, Victoria de los Ángeles | G Major | 2 | 9B | 74 BPM | ||
Sonnenuhren | Leonard Küßner, Slovak Sinfonietta, Samantha Gaul | F Minor | 2 | 4A | 114 BPM | ||
Auf dem Strom, Op. post 119, D943 | Franz Schubert, Jung Eun Oh, Richard King, Orli Shaham | E Major | 2 | 12B | 86 BPM | ||
Les Pêcheurs de perles: Je frémis, je chancelle (Leïla, Zurga) | Georges Bizet, Janine Micheau/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | C Minor | 2 | 5A | 71 BPM | ||
Evening Songs, Op. 3: No. 5, Umlklo stromů šumění | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
In Sweet Consent Unite | Harmonious Chorale Ghana | A♭ Major | 2 | 4B | 127 BPM | ||
The Magic Flute, Act II: The wrath of hell is burning in my bosom | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Rebecca Evans, John Graham-Hall, John Tomlinson | F Major | 2 | 7B | 130 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
H.M.S. Pinafore / Act 1: Now give three cheers...I am the monarch of the sea | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, John Reed, Joyce Wright, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 93 BPM | ||
Sechs Lieder op.19: 2. Breit über mein Haupt dein schwarzes Haar | Richard Strauss, Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | D♭ Major | 1 | 3B | 76 BPM |
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