12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante - Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda Information

Acousticness: 99%
Danceability: 39%
Energy: 2%
Instrumentalness: 95%
Liveness: 10%
Loudness: 51%
Speechiness: 5%
Valence: 9%
Popularity: 1%
Loudness: -29.349 dB

Summary

"12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante" by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda was released on November 14, 2020. With 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 39 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. In terms of popularity, 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante BPM

The tempo marking of 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)	Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	0	11B	85 BPM
Swan Lake Suite, Op. 20a: II. Waltz	Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo Dudamel	A Major	1	11B	103 BPM
6 Impromptus, Op. 5: Impromptu VI	Jean Sibelius, Leif Ove Andsnes	E Major	0	12B	62 BPM
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile	Ludwig van Beethoven, Igor Levit	A♭ Major	0	4B	63 BPM
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	0	6A	112 BPM
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro	Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra	F Minor	2	4A	172 BPM
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai	Giuseppe Tartini, Ray Chen	G Minor	1	6A	75 BPM
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	A♭ Major	0	4B	69 BPM
Melody in F Major, Op. 3, No. 1	Anton Rubinstein, Philippe Entremont	F Major	0	7B	74 BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6497857570648193

End: 0.6529791355133057