"Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Transcr. Klinko for Harp)" by Erik Satie, Markus Klinko was released on May 19, 2024. The duration of Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Transcr. Klinko for Harp) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Transcr. Klinko for Harp)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Markus Klinko, Albert Roussel, Camille Saint-Saëns, Claude Debussy, Erik Satie, Gabriel Fauré, Jacques Ibert's "Musique française pour harpe: Satie, Debussy, Saint-Saëns, Fauré..." album is number 4 out of 12. On top of that, France appears to be the country where this track was created. Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Transcr. Klinko for Harp) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Transcr. Klinko for Harp) by Erik Satie, Markus Klinko to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blu (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | F Major | 2 | 7B | 60 BPM | ||
Concerto for 2 Guitars & Orchestra: III. Allegro moderato | Hermann Ambrosius, Duo Imbesi Zangarà, Orchestra a Plettro Conservatorio A. Scarlatti Palermo | G Major | 3 | 9B | 128 BPM | ||
Laurel Zucker -Sailing | Laurel Zucker, Laurel Zucker and Sara Cutler | D♭ Major | 0 | 3B | 115 BPM | ||
Gnossienne No. 4 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Guitar Sonata No. 6 in F Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Malta Suite for Clarinet and Piano: II. Takriba | Charles Camilleri, David Campbell, Julian Jacobson | C Minor | 6 | 5A | 100 BPM | ||
20 Miniaturen: A Dream | Klaus Rothkegel, Boris Tesic | B Minor | 1 | 10A | 158 BPM | ||
Piano un10 it happened | Simon Farintosh | G Minor | 2 | 6A | 108 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
26 Ricercares: No. 22, Ricercare del decimo tono per B molle | Vincenzo Galilei, John Oeth | A Minor | 0 | 8A | 91 BPM |
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