"Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Liberi vos liberabo"" by Igor Stravinsky, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra was released on 1989. The duration of Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Liberi vos liberabo" is about 3 minutes long, at 3:26. Based on our data, "Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Liberi vos liberabo"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 163 in Esa-Pekka Salonen Conducts Stravinsky by Igor Stravinsky, Esa-Pekka Salonen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Liberi vos liberabo"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Liberi vos liberabo" by Igor Stravinsky, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beni Mora, Op. 29, No. 1: I. First Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | E♭ Major | 0 | 5B | 78 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Dance of the Earth | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 5 | 9B | 89 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
Symphony No. 2 in B Minor: II. Scherzo: Prestissimo. Trio: Allegretto | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | F Major | 2 | 7B | 121 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM |
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