"Symphony No. 1 in C Minor, WAB 101 (Nowak Edition): III. Scherzo. Lebhaft - Trio. Langsam" by Anton Bruckner, Christian Thielemann, Wiener Philharmoniker was released on 2020. Since Symphony No. 1 in C Minor, WAB 101 (Nowak Edition): III. Scherzo. Lebhaft - Trio. Langsam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 43 in Bruckner: Complete Symphonies Edition by Anton Bruckner, Christian Thielemann, Wiener Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Symphony No. 1 in C Minor, WAB 101 (Nowak Edition): III. Scherzo. Lebhaft - Trio. Langsam's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Minor, WAB 101 (Nowak Edition): III. Scherzo. Lebhaft - Trio. Langsam by Anton Bruckner, Christian Thielemann, Wiener Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Te Deum, WAB 45: IV. Salvum fac populum tuum | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: IV. Finale (Allegro, ma non troppo) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | E♭ Major | 2 | 5B | 133 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM |
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