Joseph Lanner, Daniel Barenboim, Wiener Philharmoniker's 'Die Romantiker, Walzer, Op. 167' came out on January 7, 2014. Since Die Romantiker, Walzer, Op. 167 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "New Year's Concert 2014 / Neujahrskonzert 2014". In this album, this song's track order is #4. In terms of popularity, Die Romantiker, Walzer, Op. 167 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Romantiker, Walzer, Op. 167 by Joseph Lanner, Daniel Barenboim, Wiener Philharmoniker having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra) | Georges Bizet, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Die Werber, Op. 103 | Joseph Lanner, Gidon Kremer, Peter Guth, Kim Kashkashian, Georg Maximilian Hörtnagel | E♭ Major | 2 | 5B | 114 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Mini Danube | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Schwanensee, Op. 20: Act III No. 23: Mazurka | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | G Major | 2 | 9B | 167 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Georges Prêtre, Wiener Philharmoniker | F Minor | 7 | 4A | 87 BPM | ||
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM |
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