"Sextet for Two Violins, Two Violas and Two Cellos in E Minor, Op. 25: II. Adagio" by Heinrich Hofmann, Berolina Ensemble was released on May 1, 2013. With this song being about 5 minutes long, at 5:14, "Sextet for Two Violins, Two Violas and Two Cellos in E Minor, Op. 25: II. Adagio" by Heinrich Hofmann, Berolina Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Hofmann, Berolina Ensemble's "Hofmann: Chamber Music" album is number 10 out of 12. In terms of popularity, Sextet for Two Violins, Two Violas and Two Cellos in E Minor, Op. 25: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sextet for Two Violins, Two Violas and Two Cellos in E Minor, Op. 25: II. Adagio by Heinrich Hofmann, Berolina Ensemble to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo in B Minor, MWV U 69 | Felix Mendelssohn, Howard Shelley | E♭ Major | 1 | 5B | 114 BPM | ||
Miroirs III. Une barque sur l'océan | Maurice Ravel, Jean-Philippe Sylvestre | E Minor | 1 | 9A | 139 BPM | ||
Variations sérieuses, Op. 54, MWV U156: Variation 14: Adagio | Felix Mendelssohn, Jan Lisiecki | D Major | 0 | 10B | 75 BPM | ||
Pièces lyriques, Livre 9, Op. 68 No. 5: Au berceau | Edvard Grieg, Janina Fialkowska | B♭ Major | 0 | 6B | 105 BPM | ||
13 Variations On A Theme By Anselm Hüttenbrenner, D.576: Variation IX | Franz Schubert, Massimo Giuseppe Bianchi | C Major | 0 | 8B | 137 BPM | ||
Variations and Fugue on a Theme by Handel, Op. 24: Var. 22 | Johannes Brahms, Seong-Jin Cho | A Minor | 3 | 8A | 87 BPM | ||
Nell, Op. 18 No. 1 (Arr. Grainger) | Gabriel Fauré, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Rosamunde, D. 797: Ballet Music (Arr. Godowsky) | Franz Schubert, Piers Lane | D Major | 0 | 10B | 77 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: IIa. Tema con variazioni. Tema. Andante con moto | Pyotr Ilyich Tchaikovsky, Hanako Uesato, Wataru Mukai, Kazumasa Matsumoto | E Major | 0 | 12B | 133 BPM | ||
6 Pieces, Op. 94: No. 1 Danse | Jean Sibelius, Håvard Gimse | G Major | 1 | 9B | 89 BPM |
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