George Frideric Handel, English Baroque Soloists, John Eliot Gardiner's 'Messiah, HWV 56 / Pt. 1: Symphony' had a release date set for January 1, 1983. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Messiah, HWV 56 / Pt. 1: Symphony's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Handel: Messiah" album is number 1 out of 51. In terms of popularity, Messiah, HWV 56 / Pt. 1: Symphony is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56 / Pt. 1: Symphony by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56 (1751 Version), Pt. 2: No. 44, Hallelujah | George Frideric Handel, Choir of New College, Oxford, Academy of Ancient Music, Edward Higginbottom | D♭ Major | 3 | 3B | 102 BPM | ||
Happy Holiday | Jackie Gleason | A Minor | 2 | 8A | 61 BPM | ||
Concerto polonois in G Major for Strings and B.C. (43:G7): I. Dolce | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 142 BPM | ||
"Christen, ätzet diesen Tag" Cantata, BWV 63: No. 1 "Christen, ätzet diesen Tag" | Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | B Major | 3 | 1B | 184 BPM | ||
The King shall rejoice (Coronation Anthem No.3, HWV 260) | George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey | D♭ Major | 2 | 3B | 113 BPM | ||
Telemann: Flute Concerto in G Major, TWV 51:G2: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | G Major | 0 | 9B | 76 BPM | ||
Från himmelen kom ängeln Gabriel (Arr. G. Idenstam for Choir & Organ) | Traditional, St. Jacob's Chamber Choir, Gunnar Idenstam, Gary Graden | A Minor | 1 | 8A | 133 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Messiah, HWV 56 / Pt. 1: 2. Air: Ev'ry Valley shall be exalted | George Frideric Handel, Anthony Rolfe Johnson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 0 | 5B | 112 BPM | ||
Adam Lay Ybounden | The Sixteen | D Major | 2 | 10B | 0 BPM |