- BPM
- 85
- Key
- D Major
- Camelot
- 10B
Romance, Op. 3 - Reinhold Glière, Yury Revich, Valentina Babor Information
- Acousticness
- 96%
- Danceability
- 20%
- Energy
- 7%
- Instrumentalness
- 5%
- Liveness
- 10%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -22.438 dB
Summary
"Romance, Op. 3" by Reinhold Glière, Yury Revich, Valentina Babor had its release date on November 6, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Russian Soul". In this album, this song's track order is #11. Romance, Op. 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romance, Op. 3 BPM
With Romance, Op. 3 by Reinhold Glière, Yury Revich, Valentina Babor having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Romance, Op. 3 Key
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | |
 | Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | |
 | Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | |
 | Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | La plus que lente, L. 121 | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 69 BPM | |
 | 8 Easy Pieces, Op. 43: No. 2, Prière | Reinhold Glière, Alton Chung Ming Chan | E Major | 0 | 12B | 76 BPM | |
 | Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | |
 | 10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem) | Sergei Rachmaninoff, Raphaela Gromes, Julian Riem | F♯ Major | 0 | 2B | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records