"Ex Umbra in Solem" by Luis Álvarez was released on September 26, 2017. The duration of Ex Umbra in Solem is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Ex Umbra in Solem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luis Álvarez's "Lost Clouds" album is number 4 out of 6. Ex Umbra in Solem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ex Umbra in Solem by Luis Álvarez to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An old hymnbook | Anna Yarbrough | B♭ Minor | 3 | 3A | 130 BPM | ||
Unconscious Castaways | Michele Nobler | E♭ Major | 0 | 5B | 81 BPM | ||
Reach Together | Christopher Dicker | A♭ Minor | 1 | 1A | 151 BPM | ||
Kirsten & Joerg | Harmony Jones, Harmoni Jones | G Major | 0 | 9B | 116 BPM | ||
In Partenza | Lorenzo Fiore | F Major | 1 | 7B | 145 BPM | ||
Cloud Walking | Rebecca Jean Rossi | A Minor | 0 | 8A | 78 BPM | ||
Looking for Light in the Darkness | Shoshana Michel | F Major | 0 | 7B | 114 BPM | ||
But You Left Us Too Soon | Alstad | F♯ Major | 8 | 2B | 125 BPM | ||
Epilog | Jonas Gewald | C Minor | 0 | 5A | 107 BPM | ||
Bark | J. M. Quintana Cámara | A Minor | 0 | 8A | 143 BPM |
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