"Achille's Heel - II. Second Bounce" by John Cage, Claude Debussy, Colin Jacobsen, Kojiro Umezaki, Dmitri Yanov-Yanovsky, Colin Jacobsen, Brooklyn Rider was released on 2010. With this song being about 5 minutes long, at 5:26, "Achille's Heel - II. Second Bounce" by John Cage, Claude Debussy, Colin Jacobsen, Kojiro Umezaki, Dmitri Yanov-Yanovsky, Colin Jacobsen, Brooklyn Rider is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Dominant Curve by John Cage, Claude Debussy, Colin Jacobsen, Kojiro Umezaki, Dmitri Yanov-Yanovsky, Brooklyn Rider. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Achille's Heel - II. Second Bounce is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Achille's Heel - II. Second Bounce by John Cage, Claude Debussy, Colin Jacobsen, Kojiro Umezaki, Dmitri Yanov-Yanovsky, Colin Jacobsen, Brooklyn Rider is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Buch der Klange: Part 1 | Hans Otte | C Major | 1 | 8B | 180 BPM | ||
Music for 18 Musicians: Pulses | Steve Reich | F♯ Minor | 6 | 11A | 101 BPM | ||
Pastorella Larga (after Chamber Concerto in D Major, RV 95 "La Pastorella": II. Largo, arr. for Baroque Ensemble by Bo Wiget) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Penderecki: Threnody for the Victims of Hiroshima | Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra | F Minor | 2 | 4A | 85 BPM | ||
Sike-Edelic Soundwaves | Jane the Ripper | G Major | 0 | 9B | 129 BPM | ||
Symphony Nr. 2 "Resurrection": Urlicht/Primal Light | Gustav Mahler, Uri Caine, Dave Binney, Don Byron, Mark Feldman, Michael Formanek, Josh Roseman | C Major | 5 | 8B | 132 BPM | ||
Miserere Paraphrase - 2004 Digital Remaster | Michael Nyman | E Minor | 2 | 9A | 75 BPM | ||
Balloon Music | Royal Philharmonic Orchestra | G Major | 1 | 9B | 105 BPM | ||
Insomnio Mineral (Rondeña) | Pedro Soler, Gaspar Claus | D Major | 1 | 10B | 70 BPM | ||
Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian, Piano | B Minor | 0 | 10A | 135 BPM |
Section: 0.7036871910095215
End: 0.7085661888122559