Yuka Kawamura's 'オールディーズ' came out on 2003. オールディーズ is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 5 out of 11 in around the PIANO by Yuka Kawamura. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, オールディーズ is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of オールディーズ by Yuka Kawamura is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
さくら(独唱) | Mana Kana | B♭ Major | 5 | 6B | 144 BPM | ||
Moonlight magic | Yuka Kawamura | F Major | 3 | 7B | 123 BPM | ||
今日までそして明日から | Takuro Yoshida | F Major | 3 | 7B | 93 BPM | ||
時の扉 ~WANDS 第5期 ver.~ | WANDS | B Major | 9 | 1B | 107 BPM | ||
ロード~第2章 | THE TRABRYU | D Major | 5 | 10B | 110 BPM | ||
本日のスープ | Stardust Revue | A Major | 7 | 11B | 176 BPM | ||
明日があるさ | Re:Japan | C Minor | 7 | 5A | 100 BPM | ||
Give me a Shake | MAX | F Minor | 9 | 4A | 105 BPM | ||
手紙 | Kome Kome Club | D♭ Major | 5 | 3B | 120 BPM | ||
ひといきつきながら | Sayaka Yamamoto | C Major | 3 | 8B | 80 BPM |
Section: 0.6090977191925049
End: 0.6134033203125