The Ataris's ' "Connections Are More Dangerous Than Lies" was released on its scheduled release date, January 1, 2007. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Welcome The Night by The Ataris. The song's track number on the album is #7 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Connections Are More Dangerous Than Lies's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Connections Are More Dangerous Than Lies by The Ataris has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Connections Are More Dangerous Than Lies being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hey Kid | The Ataris | G Major | 9 | 9B | 119 BPM | ||
Whatever It Takes | Letter Kills | D♭ Major | 10 | 3B | 174 BPM | ||
Give It Up | Home Grown | A♭ Major | 9 | 4B | 176 BPM | ||
The Ultimate Cover Up | The Audition | E♭ Minor | 9 | 2A | 175 BPM | ||
Reason To Believe | Dashboard Confessional | A♭ Major | 8 | 4B | 164 BPM | ||
Drunk Girl | Something Corporate | G Major | 8 | 9B | 100 BPM | ||
Bleeding Heart | Acceptance | E Minor | 7 | 9A | 168 BPM | ||
Something Isn't Right Here | The Juliana Theory | F♯ Minor | 4 | 11A | 94 BPM | ||
Lillian | +44 | C Major | 7 | 8B | 105 BPM | ||
Always Something | I Hate Kate | C Major | 10 | 8B | 110 BPM |