Johann Sebastian Bach, Freiburger Barockorchester made "Suite No. 4 in D Major, BWV 1069: Suite No. 4 in D Major, BWV 1069: IV. Menuets I & II alternativement" available on November 8, 2011. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 24 in Bach: Orchestral Suites by Johann Sebastian Bach, Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Suite No. 4 in D Major, BWV 1069: Suite No. 4 in D Major, BWV 1069: IV. Menuets I & II alternativement's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite No. 4 in D Major, BWV 1069: Suite No. 4 in D Major, BWV 1069: IV. Menuets I & II alternativement by Johann Sebastian Bach, Freiburger Barockorchester is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture | Johann Sebastian Bach, Ludwig Güttler, Matthias Schmutzler, Roland Rudolph, Thomas Käppler, Andreas Lorenz, Manfred Krause, Günter Klier, Virtuosi Saxoniae | A Major | 1 | 11B | 77 BPM | ||
From Saul: Sinfonia, HWV 53: IV. Andante larghetto | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 2 | 11B | 119 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Sonata A Major, BWV Anh. 153: 4. (Adagio) | Johann Sebastian Bach, Reinhard Goebel, Henk Bouman, Jaap Ter Linden | D♭ Major | 3 | 3B | 98 BPM | ||
Rinaldo, HWV 7a: Ouverture | George Frideric Handel, Freiburger Barockorchester, Vivica Genaux, René Jacobs | D♭ Minor | 4 | 12A | 81 BPM | ||
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 17 Choral: "Ich will hier bei dir stehen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 81 BPM | ||
Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 2 | 3A | 96 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM |
Section: 0.5604021549224854
End: 0.56526780128479