Royal Northern Sinfonia, Alex Glasgow made "Dance to Yer Daddy" available on December 1, 1997. The duration of Dance to Yer Daddy is about 3 minutes long, at 3:16. Based on our data, "Dance to Yer Daddy" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Songs of Vol. 3 & Now and Then". In this album, this song's track order is #1. Based on our statistics, Dance to Yer Daddy's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Dance to Yer Daddy by Royal Northern Sinfonia, Alex Glasgow having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Temporal Variations: Exercises (Arr. C. Matthews for oboe and orchestra) | Benjamin Britten, Nicholas Daniel, Royal Northern Sinfonia, Steuart Bedford | D Major | 3 | 10B | 98 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
2 Aquarelles: No. 1. Lento, ma non troppo | Frederick Delius, Eric Fenby, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 88 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Royal Northern Sinfonia, Thomas Zehetmair | G Major | 3 | 9B | 146 BPM | ||
Albert Herring, Op. 39: Act I Scene 1: I hope we’re not too early | Benjamin Britten, Josephine Barstow, Susan Gritton, Della Jones, Felicity Palmer, Ann Taylor, Robert Lloyd, Peter Savidge, Gerald Finley, Christopher Gillett, Stuart Kale, Royal Northern Sinfonia, Steuart Bedford | D Major | 2 | 10B | 87 BPM | ||
Concerto for Piano and Orchestra No. 18, K. 456: I. Allegro vivace | Wolfgang Amadeus Mozart, Royal Northern Sinfonia, Imogen Cooper | G Minor | 1 | 6A | 106 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Concerto for Piano and Orchestra No. 9 in E flat major: II. Andantino | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | C Minor | 0 | 5A | 80 BPM |
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