Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand
Shane Carruth
Upstream Color (Original Motion Picture Score)
2:25 February 20, 2013
BPM
105
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand - Shane Carruth Information

Acousticness
96%
Danceability
16%
Energy
20%
Instrumentalness
87%
Liveness
7%
Loudness
69%
Speechiness
4%
Valence
3%
Popularity
Loudness
-18.362 dB

Summary

"Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand" by Shane Carruth was released on February 20, 2013. The duration of Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Upstream Color (Original Motion Picture Score)". In this album, this song's track order is #1. In terms of popularity, Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand BPM

With Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand by Shane Carruth having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Elena's Sound-World by Sinoia CavesElena's Sound-WorldSinoia CavesG Major39B135 BPM
Memory by Hans Zimmer, Benjamin WallfischMemoryHans Zimmer, Benjamin WallfischG Minor26A69 BPM
Stone Beacon by Deaf CenterStone BeaconDeaf CenterG Major19B100 BPM
Louise by Jimmy LavalleLouiseJimmy LavalleF Major17B73 BPM
Lipstick To Void by Mica LeviLipstick To VoidMica LeviD♭ Major23B131 BPM
Requiem for the Static King, Pt. 1 by A Winged Victory for the SullenRequiem for the Static King, Pt. 1A Winged Victory for the SullenB Major11B86 BPM
Engineers by Marc StreitenfeldEngineersMarc StreitenfeldA Minor38A115 BPM
Le retour en forêt by A Winged Victory for the SullenLe retour en forêtA Winged Victory for the SullenE Minor59A172 BPM
Bluebird - K-Pax (Original Motion Picture Soundtrack) by Edward ShearmurBluebird - K-Pax (Original Motion Picture Soundtrack)Edward ShearmurA♭ Minor01A64 BPM
Mélodrames télégraphiés (In B Major 7th), Part 1 by Brian McBrideMélodrames télégraphiés (In B Major 7th), Part 1Brian McBrideB Major11B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.41232728958129883

End: 0.41638779640197754