Mohammed Aziz, Sarika Kapoor's 'Papa Mere Papa' came out on December 7, 1989. Since Papa Mere Papa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bappi Lahiri's "Ghar Ka Chiraag (Original Motion Picture Soundtrack)" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Papa Mere Papa is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Papa Mere Papa by Mohammed Aziz, Sarika Kapoor to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Badi Door Badi Door Chala | Agam Kumar Nigam, Tulsi Kumar | D♭ Minor | 6 | 12A | 75 BPM | ||
Aadmi Zindagi | Mohammed Aziz | D♭ Major | 9 | 3B | 96 BPM | ||
Aaina Mujhse Mere | Talat Aziz | F♯ Minor | 5 | 11A | 138 BPM | ||
Pardesiya | Sapna Awasthi | A Major | 5 | 11B | 84 BPM | ||
Tera Saath Hai Kitna Pyara - From "Janbaaz" | Kishore Kumar, Sapna | E♭ Minor | 7 | 2A | 158 BPM | ||
Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
Jai Dev Jai Dev Jai Mangal | Sudesh Bhosle | G Major | 6 | 9B | 117 BPM | ||
Hey Ooi Amma Ooi Amma | Poornima | A♭ Major | 8 | 4B | 95 BPM | ||
Main Sasural Nahin Jaoongi | Pamela Chopra | E Major | 8 | 12B | 164 BPM | ||
Thoda Sa Pyar Hua Hai (Female) | Madhusmita, Dabboo Malik | B♭ Major | 5 | 6B | 186 BPM |
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