"Concerto in A Minor for Piano and Orchestra, Op. 7: I. Allegro maestoso" by Shoko Sugitani, Berliner Symphoniker was released on December 9, 2008. Since Concerto in A Minor for Piano and Orchestra, Op. 7: I. Allegro maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Selected Works by Female Composers". In this album, this song's track order is #9. In terms of popularity, Concerto in A Minor for Piano and Orchestra, Op. 7: I. Allegro maestoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in A Minor for Piano and Orchestra, Op. 7: I. Allegro maestoso by Shoko Sugitani, Berliner Symphoniker having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 | Johannes Brahms, Péter Nagy | A Minor | 1 | 8A | 126 BPM | ||
Violin Concerto in E-Flat Major, RV 256 "Il ritiro": I. Allegro assai | Antonio Vivaldi, Susanne Lautenbacher, Musici di San Marco, Alberto Lizzio | A♭ Major | 1 | 4B | 128 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
30 Études de mécanisme, Op. 849: No. 2 in C Major. Molto allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 178 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Gavota | Hector Rojas | D♭ Major | 1 | 3B | 130 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Chopin: Waltz In D Flat, Op. 64/1, "Minuet" | London Festival Orchestra | D♭ Major | 1 | 3B | 111 BPM |
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