Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker made "Schönfeld-Marsch, Op. 422" available on January 7, 2019. The duration of Schönfeld-Marsch, Op. 422 is about 3 minutes long, at 3:09. Based on our data, "Schönfeld-Marsch, Op. 422" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "New Year's Concert 2019 / Neujahrskonzert 2019 / Concert du Nouvel An 2019". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Schönfeld-Marsch, Op. 422 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schönfeld-Marsch, Op. 422 by Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 5 | 10B | 116 BPM | ||
Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
Freudensprünge, OP. 15: Polka francaise | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | G Major | 1 | 9B | 72 BPM | ||
8 Slavonic Dances, Op. 46: No. 7 in C minor (Allegro assai) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | C Minor | 1 | 5A | 131 BPM | ||
Veni, vidi, vici, Polka schnell op.229 (277) | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | E♭ Major | 3 | 5B | 81 BPM | ||
L'Estudiantina, Waltz Op. 191 | Vienna Walzer Orchestra, Sandro Cuturello | D Major | 4 | 10B | 112 BPM | ||
Fantasia dall'Austria: "Le Desir" su un tema di Franz Schubert, Op.2: V. Variazione III | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | A♭ Major | 3 | 4B | 95 BPM | ||
Die Puppenfee (The Fairy Doll): No. 2 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 2 | 7B | 133 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Sobre La Olas (Over The Waves) | Juventino Rosas, Andrew Davis | G Major | 1 | 9B | 167 BPM |
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