Ignacy Jan Paderewski, Yukio Yokoyama's '6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande' came out on February 1, 2019. The duration of 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Paderewski: Piano Masterpieces". In this album, this song's track order is #4. 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande by Ignacy Jan Paderewski, Yukio Yokoyama having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poëme pastoral: V. Crépuscule (Arr. Hough for Piano) | Jules Massenet, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Maria Kliegel, Nina Tichman | E♭ Major | 0 | 5B | 84 BPM | ||
Fantasiestücke, Op. 12: III. Warum? | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Impromptu, Op. 142, No. 2, in A-Flat Major - Duo-Art 6794 | Franz Schubert, Ignacy Jan Paderewski, Peter Phillips | C Major | 1 | 8B | 97 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 24 in A Major, Op. 53, No. 6 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
Ständchen, D.889: Hark! Hark! the Lark! (Transcription by Franz Liszt) - Welte-Mignon 1261 | Franz Schubert, Peter Phillips, Ignacy Jan Paderewski | G Major | 1 | 9B | 71 BPM | ||
Soirées Musicales, Op. 6: II. Notturno | Clara Schumann, David Quigley | F Major | 0 | 7B | 71 BPM | ||
Prelude in E Minor | Fanny Mendelssohn, Beatrice Rauchs | E Minor | 0 | 9A | 84 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM |
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