"Abiding Celestial" by La Rêveuse was released on March 4, 2024. The duration of Abiding Celestial is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Abiding Celestial's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Paysage de Rêve Gracieux". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The popularity of Abiding Celestial is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abiding Celestial by La Rêveuse having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto a quattro in D Minor: I. Adagio | George Frideric Handel, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Minor | 1 | 12A | 82 BPM | ||
Sonata No. 1 in F Major, Op. 1: I. Grave | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 134 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Sonata VI D-Moll, Op. 1, BuxWV 257 | Dietrich Buxtehude, La Rêveuse, Maïlys De Villoutreys, Benjamin Perrot, Florence Bolton | F Major | 2 | 7B | 79 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM | ||
Opposities Faithful | La Rêveuse | A Major | 1 | 11B | 170 BPM | ||
Dixit Dominus, BuxWV 17 | Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Florence Bolton, Maïlys De Villoutreys | C Major | 2 | 8B | 76 BPM | ||
Trio Sonata in G Major, TWV 42:g1: IV. Allegro | Georg Philipp Telemann, La Rêveuse, Benjamin Perrot, Florence Bolton | F♯ Minor | 2 | 11A | 130 BPM |
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